Aesop's Fables - Revision history

Nicolas Szilas: /* References */

2018-06-29T14:39:46Z

References

← Older revision		Revision as of 16:39, 29 June 2018
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	#Szilas, N., Richle, U., & Dumas, J. E. (2012). [http://tecfa.unige.ch/perso/szilas/papers/Szilas_ICIDS2012.pdf Structural Writing, a Design Principle for Interactive Drama]. In D. Oyarzun, F. Peinado, R. M. Young, A. Elizalde, & G. Méndez (Eds.), 5th International Conference on International Digital Storytelling (ICIDS 2012). LNCS 7648 (Vol. 7648, pp. 72–83). Heidelberg: Springer.		#Szilas, N., Richle, U., & Dumas, J. E. (2012). [http://tecfa.unige.ch/perso/szilas/papers/Szilas_ICIDS2012.pdf Structural Writing, a Design Principle for Interactive Drama]. In D. Oyarzun, F. Peinado, R. M. Young, A. Elizalde, & G. Méndez (Eds.), 5th International Conference on International Digital Storytelling (ICIDS 2012). LNCS 7648 (Vol. 7648, pp. 72–83). Heidelberg: Springer.
	#Szilas, N., & Richle, U. (2013). [http://drops.dagstuhl.de/opus/volltexte/2013/4164/pdf/p257-szilas.pdf Towards a Computational Model of Dramatic Tension]. In M. A. Finlayson, B. Fisseni, B. Löwe, & J. C. Meister (Eds.), 2013 Workshop on Computational Models of Narrative (Vol. 32, pp. 257–276). Dagstuhl, Germany: Schloss Dagstuhl--Leibniz-Zentrum fuer Informatik.		#Szilas, N., & Richle, U. (2013). [http://drops.dagstuhl.de/opus/volltexte/2013/4164/pdf/p257-szilas.pdf Towards a Computational Model of Dramatic Tension]. In M. A. Finlayson, B. Fisseni, B. Löwe, & J. C. Meister (Eds.), 2013 Workshop on Computational Models of Narrative (Vol. 32, pp. 257–276). Dagstuhl, Germany: Schloss Dagstuhl--Leibniz-Zentrum fuer Informatik.
			#Szilas, N., Estupiñán, S., & Richle, U. (2016). Qualifying and quantifying interestingness in dramatic situations. In F. Nack & A. S. Gordon (Eds.), 9th International Conference on International Digital Storytelling (ICIDS 2016) (Vol. 10045, pp. 336–347). Cham: Springer.
			#Szilas, N. (2017). Modeling and representing dramatic situations as paradoxical structures. Digital Scholarship in the Humanities, 32(2).



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Nicolas Szilas at 14:37, 29 June 2018

2018-06-29T14:37:36Z

← Older revision		Revision as of 16:37, 29 June 2018
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	* The ''dramatic cycles''. A dramatic cycle is coded as an ordered pair of two paths, the positive path and the negative path: (positivePath,negativePath), each path being represented itself by a tuple of nodes.		* The ''dramatic cycles''. A dramatic cycle is coded as an ordered pair of two paths, the positive path and the negative path: (positivePath,negativePath), each path being represented itself by a tuple of nodes.

	===~~Réferences~~===		===References===

	#Nichols, B. (1981). Ideology and the image. Bloomington, IN: Indiana University Press.		#Nichols, B. (1981). Ideology and the image. Bloomington, IN: Indiana University Press.

Nicolas Szilas: /* Objectives */

2015-10-14T13:33:30Z

Objectives

← Older revision		Revision as of 15:33, 14 October 2015
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	The [[GOTSEC model]] aims at formalizing dramatic situations, as defined by E. Souriau [2]. It considers that a dramatic situation is described as a graph containing a limited set of nodes and relations of different types[4]. Via these nodes and relations, dramatic situations are described syntactically, to provide a higher generative power.		The [[GOTSEC model]] aims at formalizing dramatic situations, as defined by E. Souriau [2]. It considers that a dramatic situation is described as a graph containing a limited set of nodes and relations of different types[4]. Via these nodes and relations, dramatic situations are described syntactically, to provide a higher generative power.

	At the core of the model is the concept of ''dramatic cycle''. A dramatic cycle is a subpart of a graph that represents a ''paradox'', according to Bill Nichols' approach [1]. It is formally defined as a cycle containing two half paths, one positive path and one negative path. A dramatic cycle ~~corresponds to a certain form of~~ "conflict".		At the core of the model is the concept of ''dramatic cycle''. A dramatic cycle is a subpart of a graph that represents a ''paradox'', according to Bill Nichols' approach [1]. It is formally defined as a cycle containing two half paths, one positive path and one negative path. The notion of dramatic cycle covers what is often referred as "conflict".

	===Content===		===Content===

Nicolas Szilas: /* Objectives */

2015-10-14T13:30:20Z

Objectives

← Older revision		Revision as of 15:30, 14 October 2015
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	The [[GOTSEC model]] aims at formalizing dramatic situations, as defined by E. Souriau [2]. It considers that a dramatic situation is described as a graph containing a limited set of nodes and relations of different types[4]. Via these nodes and relations, dramatic situations are described syntactically, to provide a higher generative power.		The [[GOTSEC model]] aims at formalizing dramatic situations, as defined by E. Souriau [2]. It considers that a dramatic situation is described as a graph containing a limited set of nodes and relations of different types[4]. Via these nodes and relations, dramatic situations are described syntactically, to provide a higher generative power.

	At the core of the model is the concept of ''dramatic cycle''. A dramatic cycle is a subpart of a graph that ~~represent~~ a paradox, according to Bill Nichols approach [1]. It is formally defined as a cycle containing two half paths, one positive path and one negative path. A dramatic cycle corresponds to a certain form of "conflict".		At the core of the model is the concept of ''dramatic cycle''. A dramatic cycle is a subpart of a graph that represents a ''paradox'', according to Bill Nichols' approach [1]. It is formally defined as a cycle containing two half paths, one positive path and one negative path. A dramatic cycle corresponds to a certain form of "conflict".

	===Content===		===Content===

Nicolas Szilas at 13:29, 14 October 2015

2015-10-14T13:29:45Z

← Older revision		Revision as of 15:29, 14 October 2015
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	The [[GOTSEC model]] aims at formalizing dramatic situations, as defined by E. Souriau [2]. It considers that a dramatic situation is described as a graph containing a limited set of nodes and relations of different types[4]. Via these nodes and relations, dramatic situations are described syntactically, to provide a higher generative power.		The [[GOTSEC model]] aims at formalizing dramatic situations, as defined by E. Souriau [2]. It considers that a dramatic situation is described as a graph containing a limited set of nodes and relations of different types[4]. Via these nodes and relations, dramatic situations are described syntactically, to provide a higher generative power.

	At the core of the model is the concept of 'dramatic cycle'		At the core of the model is the concept of ''dramatic cycle''. A dramatic cycle is a subpart of a graph that represent a paradox, according to Bill Nichols approach [1]. It is formally defined as a cycle containing two half paths, one positive path and one negative path. A dramatic cycle corresponds to a certain form of "conflict".

	===Content===		===Content===
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	The 20 first Aesop's Fables (V.S. Vernon Jones English translation) have been analyzed. For each fable, we have provided:		The 20 first Aesop's Fables (V.S. Vernon Jones English translation) have been analyzed. For each fable, we have provided:
	* The visual representation of the structural graph, possibly separated in successive situations. Please refer to the [[GOTSEC model]] to find the legend of the graphs.		* The visual representation of the structural graph, possibly separated in successive situations. Please refer to the [[GOTSEC model]] to find the legend of the graphs.
	* The ''dramatic cycles''~~. Dramatic cycles are subparts of a graph that represent paradoxes, according to Bill Nichols approach [1]. These cycles correspond to "conflicts"~~. A dramatic cycle is coded as a pair of two paths, the positive path and the negative path.		* The ''dramatic cycles''. A dramatic cycle is coded as an ordered pair of two paths, the positive path and the negative path: (positivePath,negativePath), each path being represented itself by a tuple of nodes.

	===Réferences===		===Réferences===

Nicolas Szilas: /* Objectives */

2015-10-14T13:21:16Z

Objectives

← Older revision		Revision as of 15:21, 14 October 2015
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	The [[GOTSEC model]] aims at formalizing dramatic situations, as defined by E. Souriau [2]. It considers that a dramatic situation is described as a graph containing a limited set of nodes and relations of different types[4]. Via these nodes and relations, dramatic situations are described syntactically, to provide a higher generative power.		The [[GOTSEC model]] aims at formalizing dramatic situations, as defined by E. Souriau [2]. It considers that a dramatic situation is described as a graph containing a limited set of nodes and relations of different types[4]. Via these nodes and relations, dramatic situations are described syntactically, to provide a higher generative power.

			At the core of the model is the concept of 'dramatic cycle'

	===Content===		===Content===

Nicolas Szilas: /* Objectives */

2015-10-08T08:40:57Z

Objectives

← Older revision		Revision as of 10:40, 8 October 2015
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	===Objectives===		===Objectives===
	This wiki analyzes Aesop's Fables with a structural model of narrative called "[[GOTSEC model]]". GOTSEC stands for Goal, Obstacle, Tasks, Side-Effects and Characters. The models aims to capture the deep structure of a narrative, its core meaning [3]. It is a ~~product~~ of ~~15 years of research~~ in Interative Drama by [http://tecfa.unige.ch/perso/szilas/ Nicolas Szilas] and colleagues.		This wiki analyzes Aesop's Fables with a structural model of narrative called "[[GOTSEC model]]". GOTSEC stands for Goal, Obstacle, Tasks, Side-Effects and Characters. The models aims to capture the deep structure of a narrative, its core meaning [3]. It is a theoretical outcome of long term project in Interative Drama by [http://tecfa.unige.ch/perso/szilas/ Nicolas Szilas] and colleagues (see also the [http://www.idtension.com IDtension narrative engine]).

	The [[GOTSEC model]] aims at formalizing dramatic situations, as defined by E. Souriau [2]. It considers that a dramatic situation is described as a graph containing a limited set of nodes and relations of different types[4]. Via these nodes and relations, dramatic situations are described syntactically, to provide a higher generative power.		The [[GOTSEC model]] aims at formalizing dramatic situations, as defined by E. Souriau [2]. It considers that a dramatic situation is described as a graph containing a limited set of nodes and relations of different types[4]. Via these nodes and relations, dramatic situations are described syntactically, to provide a higher generative power.

Nicolas Szilas: /* Objectives */

2015-09-26T19:58:29Z

Objectives

← Older revision		Revision as of 21:58, 26 September 2015
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	===Objectives===		===Objectives===
	This wiki analyzes Aesop's Fables with a structural model of narrative called "[[GOTSEC model]]". GOTSEC stands for Goal, Obstacle, Tasks, Side-Effects and Characters. The models aims to capture the deep structure of a narrative, its core meaning [3].		This wiki analyzes Aesop's Fables with a structural model of narrative called "[[GOTSEC model]]". GOTSEC stands for Goal, Obstacle, Tasks, Side-Effects and Characters. The models aims to capture the deep structure of a narrative, its core meaning [3]. It is a product of 15 years of research in Interative Drama by [http://tecfa.unige.ch/perso/szilas/ Nicolas Szilas] and colleagues.

	The [[GOTSEC model]] aims at formalizing dramatic situations, as defined by E. Souriau [2]. It considers that a dramatic situation is described as a graph containing a limited set of nodes and relations of different types[4]. Via these nodes and relations, dramatic situations are described syntactically, to provide a higher generative power.		The [[GOTSEC model]] aims at formalizing dramatic situations, as defined by E. Souriau [2]. It considers that a dramatic situation is described as a graph containing a limited set of nodes and relations of different types[4]. Via these nodes and relations, dramatic situations are described syntactically, to provide a higher generative power.

Nicolas Szilas: /* Content */

2015-09-25T22:33:25Z

Content

← Older revision		Revision as of 00:33, 26 September 2015
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	The 20 first Aesop's Fables (V.S. Vernon Jones English translation) have been analyzed. For each fable, we have provided:		The 20 first Aesop's Fables (V.S. Vernon Jones English translation) have been analyzed. For each fable, we have provided:
	* The visual representation of the structural graph, possibly separated in successive situations. Please refer to the [[GOTSEC model]] to find the legend of the graphs.		* The visual representation of the structural graph, possibly separated in successive situations. Please refer to the [[GOTSEC model]] to find the legend of the graphs.
	* The ''dramatic cycles''. Dramatic cycles are subparts of a graph that represent paradoxes, according to Bill Nichols approach. These cycles correspond to "conflicts". A dramatic cycle is coded as a pair of two paths, the positive path and the negative path.		* The ''dramatic cycles''. Dramatic cycles are subparts of a graph that represent paradoxes, according to Bill Nichols approach [1]. These cycles correspond to "conflicts". A dramatic cycle is coded as a pair of two paths, the positive path and the negative path.

	===Réferences===		===Réferences===

Nicolas Szilas: /* Objectives */

2015-09-25T22:33:01Z

Objectives

← Older revision		Revision as of 00:33, 26 September 2015
Line 8:		Line 8:
	This wiki analyzes Aesop's Fables with a structural model of narrative called "[[GOTSEC model]]". GOTSEC stands for Goal, Obstacle, Tasks, Side-Effects and Characters. The models aims to capture the deep structure of a narrative, its core meaning [3].		This wiki analyzes Aesop's Fables with a structural model of narrative called "[[GOTSEC model]]". GOTSEC stands for Goal, Obstacle, Tasks, Side-Effects and Characters. The models aims to capture the deep structure of a narrative, its core meaning [3].

	The [[GOTSEC model]] aims at formalizing dramatic situations, as defined by E. Souriau [1]. It considers that a dramatic situation is described as a graph containing a limited set of nodes and relations of different types[4]. Via these nodes and relations, dramatic situations are described syntactically, to provide a higher generative power.		The [[GOTSEC model]] aims at formalizing dramatic situations, as defined by E. Souriau [2]. It considers that a dramatic situation is described as a graph containing a limited set of nodes and relations of different types[4]. Via these nodes and relations, dramatic situations are described syntactically, to provide a higher generative power.

	===Content===		===Content===